From my blog...

The Price of Blood

9780525427278_PriceOfBlood_JKF.inddMy second novel about Emma of Normandy, The Price of Blood, releases on February 5 in the U.S., Canada, Australia and New Zealand.

I imagine that someone who’s written a dozen books can regard a new release with aplomb (I could be wrong about this). As for me, I am still giddy with delight at holding the book in my hands. I love talking to readers, or prospective readers – or anyone who’ll listen – about the book, the history, the characters, my research, my writing.

Sometimes I worry that because of my passionate interest in Queen Emma and the 11th century I can be something of a bore. I have to be alert and watch for that moment when the eyes of my companions start to glaze over and it’s time to turn the conversation elsewhere.

audio cover final Price of Blood

My life, more than ever before, is lived in the pages of books: my own novels, research books, the works of other novelists. It’s a little like being a child again, when I spent long summer days immersed in one novel after another until my mother had to shoo me out of the house with orders to go play. And when I’m not reading, I’m writing or preparing to write or editing what I’ve written the day before. It’s my job, and I love it.

It’s customary to include Acknowledgements at the back of a book, and I’ve done that, but I could not include everyone. There are so many I wish to thank: casual acquaintances who responded to questions concerning things they know about and I don’t – horses, for instance; scholars I met who pointed me toward research I was unaware of; librarians and library supporters who went out of their way to promote my first book and encouraged me in writing this one and the one to follow; friends who introduced my novel to their book groups; all the readers of Shadow on the Crown who have taken the time to write to me, to post a review on-line or to connect through social media; other novelists who have been such supportive colleagues.

And there are many more, I know. I hope I’ll be forgiven for my omissions.

Because I can’t seem to stop talking about Emma, I am about to go on an ambitious book tour over the next few months. It begins on Feb. 9 in my hometown of Oakland, California and continues to Los Angeles, San Diego, Portland, Sacramento, Phoenix, Seattle and back to the SF Bay Area. I’m looking forward to meeting as many of Emma’s fans as will take the time to make their way to a bookstore to meet me. I hope some of you reading this will find your way to one of these events. I promise to pay close attention to my audiences, in case their eyes start to glaze over and I need to sing or dance or something. Think about it: a medieval queen and a singing author. Really, you know – you won’t want to miss it!

mortuary_chest

Mortuary Chest. Emma of Normandy. Winchester Cathedral. (Wikimedia Commons)

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Grantchester

I was very naughty tonight. I watched the first episode of Grantchester on Masterpiece Mystery when I should have waited for my husband to return home from his trip to Peru so we could watch it together. I’ve been wanting to see Grantchester though, and tonight I just couldn’t wait any longer.

It was worth the wait, I have to say. I enjoyed it very much, even though, having read the book, I knew ‘who done it’. James Norton makes a wonderful Sidney Chambers. I was quite surprised by the casting of Robson Greene as Inspector Geordie Keating, who I had imagined to be a rather bear-like fellow when I read the book. Robson is great to watch. I remember him from Touching Evil. He’s a favorite of mine, although in this first episode of Grantchester we haven’t yet seen a close-up of his piercing blue eyes.  I love that name, Geordie. I know this old folk song by that name. “Ah my Geordie will be hanged with a golden chain…” But I digress.

Grantchester is filmed in Grantchester and Cambridge, one of the reasons I’ve been so eager to watch it. I studied in Cambridge one summer eight years ago and I have very fond memories of the town. Oxford gets so much airplay (Inspector Morse, Lewis, Endeavour), that it was long past time for Cambridge to get a little action. And so it does. I spotted King’s College in several scenes.

King's College, Cambridge

King’s College, Cambridge

There were plenty of shots of the fens that lie between Cambridge and Grantchester, and of the two paths that cross the fens, the upper path and the lower path along the river. I only went to Grantchester once, along the upper path in both directions, and I still regret not walking along the river because it’s supposed to be lovely.

The fens outside of Cambridge

The fens outside of Cambridge

I walked to Grantchester to take tea at The Orchard. It was practically a requirement if you spent any time in Cambridge. Rupert Brooke lived there for a while, and Virginia Woolf was among the group of literati who would have tea with him there. Tea at The Orchard was lovely – and I was lucky enough to be there on a day when the weather was fine.

The Orchard, Grantchester

The Orchard, Grantchester

There were no glimpses of The Orchard in the first episode of Grantchester, but plenty of shots of the church of St. Andrew and St. Mary.  I believe that the interior shots, when Sydney gives his sermons, are filmed there as well.

The church tower, GrantchesterAs I mentioned, Grantchester is based on a series of mystery novels. They’re written by James Runcie whose father was the late Robert Runcie, Archbishop of Canterbury. So when James writes about a vicar in the 1950’s he knows his stuff. I had the very great pleasure of meeting him when I was in Wales last winter. We were both speaking at a literary festival – unfortunately our talks were at the same time so I couldn’t attend his. (Full disclosure: he pulled the larger audience.) I hope he’s pleased with how his characters have been brought to the screen. I think the production is wonderful. Highly recommended, and I urge you to read the books as well!

With James Runcie, Gladstone's Library, Wales

With James Runcie, Gladstone’s Library, Wales

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A Pre-Raphaelite Artist & a Church in Wales

St. Deiniol's Church, Hawarden, Wales

St. Deiniol’s Church, Hawarden, Wales

“Be sure you go into the church and look at our Burne-Jones window.”

I had just arrived in Hawarden, Wales and was being escorted up two flights of stairs to my room in the residence wing of Gladstone’s Library when my guide mentioned St. Deiniol’s Church and its window.

“Burne-Jones?” I asked, a little breathless from the climb. “The Pre-Raphaelite Burne-Jones?” As if there was any other artist by that name who designed stained glass windows.

“That’s the one,” she assured me.

I’ve been a long-time fan of the Pre-Raphaelites and the Arts and Crafts movement, and had seen exhibits of their work in museums in San Francisco, New York and London. I hadn’t expected to find a window by Burne-Jones in a parish church in this small village in Wales.

StD7From my bedroom I could see St. Deiniol’s churchyard, and I soon learned that there had been churches on this site dedicated to the 6th century Welsh saint for over a thousand years. Some elements of the current edifice have been traced back to the 14th century, but St. Deiniol’s had been through several restorations and one fire, and as a result, most of it was now 19th century work. Still, once I was inside, it felt awfully old to me.

I made a number of visits to the little church over the next two weeks, slipping in for quiet contemplation. There were, I discovered, several Burne-Jones windows, but the real stunner was the 1898 west window.

Burne-Jones Window, St. Deiniol's, Hawarden, Wales

Burne-Jones Window, St. Deiniol’s, Hawarden, Wales

It portrayed a Nativity scene, and anyone familiar with the Pre-Raphaelites would recognize the Burne-Jones style in the designs incorporated into the fabrics portrayed and in their lush draping. Like much of Burne-Jones’ work it suggested the medieval. The Pre-Raphaelites were inspired by the medieval past, and Burne-Jones’ gave his artwork a dream-like quality, more beautiful than the middle ages could possibly have been.

Burne-Jones Tapestry, Adoration of the Magi, Exeter College, Oxford

Burne-Jones Tapestry, Adoration of the Magi, Exeter College, Oxford

This was not the first nativity scene of his that I’d had the good fortune to see. I’d visited Oxford’s Exeter College church the year before where a tapestry, The Adoration of the Magi, hung. The works were quite different, but both were memorable. When you’ve seen a piece by Burne-Jones, you don’t easily forget it.

There were other artistic elements within St. Deiniol’s that moved me. On the wall of a side chapel an angel plucked the strings of, appropriately, a Welsh harp. Spanning the nave was a carved wooden cross that I thought quite unusual.
StD9a

Hawarden War Memorial, Remembrance Sunday, 2014

Hawarden War Memorial, Remembrance Sunday, 2014

It had been placed there in 1915 to commemorate William G. C. Gladstone, who was killed in France only three weeks after he had arrived at the front. His tragedy, like so many others, has been commemorated across the nation every Remembrance Sunday, and 2014’s centennial year would be no exception.

On the north side of the church there was a monument dedicated to former Prime Minister William E. Gladstone, the grandfather of that younger William who died in the Great War, and the founder of the library where I was studying. An angel hovered over the bronze sculpture of Gladstone and his wife, Catherine, lying side by side, and everywhere there were memorials to relatives and to parishioners whom they would have known. In fact the church was crowded with memorials and memories. It was crowded with the past.

StD4The past, of course, was my reason for being in Wales at all. And so I spent most days studying Anglo-Saxon history in the library while occasionally making my way to the little church that had its history in its walls and, thanks to Edward Burne-Jones, in windows that so beautifully evoked the medieval.

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The Ghosts of Christmases Past

12 NOVEMBER, 2014 Christmas Window, London

12 NOVEMBER, 2014 Christmas Window, London

Did you notice that, this year, the Christmas shopping season began considerably earlier than in the past?  Christmas decorations now appear in store windows right after Halloween – pumpkins to pine trees in the blink of an eye. Many shops ignored the traditional start of holiday sales known as Black Friday, and had their doors wide open even on Thanksgiving Day.

This frenzy of shopping throughout November and December is relatively new, if you consider the past 1200 or so years of Christmas traditions. In centuries past, the four weeks before Christmas – Advent – were a time of prayer and fasting, culminating in a feast on December 25. In the 9th century, it was the Anglo-Saxon king, Alfred the Great, Boarwho extended the Christmas Day feasting into January, so that the celebrating lasted a full twelve days, starting on Christmas day and lasting until Epiphany on January 5. The Anglo-Saxons must have needed all the carbs (from beer) and protein (from boar) they could get to last them through the long, lean days of winter until the next great feast at Easter, but the celebration did not start until December 25.

The medieval Christmas feasting that was embraced in England from the time of King Alfred (9th century) all the way through the reign of Charles I (mid-17th century) stopped abruptly, though, when the Puritans came into power. The stern Puritans believed that the celebration of Christmas was an abomination, and so they cancelled it. From 1644 until 1681, there was a law on the books in England forbidding excessive celebrating at Christmas.

And it was those same stern Pilgrims who founded the New England colonies across the sea. They must have been admirably courageous, stoic and resilient to endure those early, desperate years in the American wilderness. But they were also hard-nosed, flinty-eyed, no-nonsense, religious zealots. (I write this as one who, my genealogy-minded sister has informed me, had an ancestor on the Mayflower.) On Christmas Day in 1620, at Plymouth, the Pilgrims showed their contempt for Christmas by spending the day building their first structure in the New World. No feasting, no singing, no holiday, and not even a religious service. It stands to reason when you think about it. The need for shelter against a cold New England winter must have trumped any thoughts of celebration. Nevertheless, even as late as 1870, Boston public schools were open on Christmas Day, and students were expected to attend or else.

In the southern colonies of America, the story was a little different. Jamestown was founded in April, 1607, not by Puritans but by members of the Church of England. Their first Christmas was not recorded, possibly because by Christmas of that first year, only 38 of the original 104 settlers were still alive. The deaths of two-thirds of their company over eight months must have been a bitter blow. But the intrepid John Smith describes a 1608 Yuletide feast of shellfish, meat and poultry that he celebrated with the Indians when he and a dozen of his companions were foraging for food outside the settlement. Bleak as it may have been, Christmas Day was observed in early Virginia.

When the later colonies were founded, they celebrated Christmas with the traditions they brought with them from the old world, whether they were Dutch or English, Polish or Portuguese. As the colonies became a melting pot of nationalities and religions, the earlier Puritan prohibition against celebrating Christmas faded, and even in Boston folk kept Christmas however they wished. Thomas Jefferson described his 18th century Virginia Christmas as “a day of mirth and jollity”.

Over in England, where the Industrial Revolution had emptied villages, the exhausted, dispirited urban populace had no energy for celebration. Luckily for all of us, Charles Dickens published A Christmas Carol in 1853, and he is credited with reviving the spirit of Christmas in Britain. In America, the March girls in Louisa May Alcott’s Little Women (1868) celebrated the season not by shopping, but by making presents for Marmee, giving us a tender picture of a thrifty New England Christmas. By the time President Grant declared Christmas a Federal holiday in 1870, the kinds of excesses that had offended the Puritan settlers no longer characterized the feast. It had become a time of nostalgia and hope, of family warmth and communal ties, of tradition and good cheer. Alas for us, it would become the Season of Shopping soon enough.

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The Greatest Gift I Ever Gave

Some months ago, the editor of my university’s alumni magazine called with a request: “Could you write an essay for us on the theme of ‘The Greatest Gift I Ever Gave’? Is there a story like that in your past?” Continue reading

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Celebrating Book Clubs

PegasusIf you belong to a Book Club, raise your hand. See? I knew it. Lots of you. I have this theory that Book Clubs deserve a good deal of credit for keeping the publishing industry (and their authors) going. Continue reading

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The Literary Feast at Gladstone’s Library

 

Gladstone's Library, Hawarden, Flintshire, Wales

Gladstone’s Library, Hawarden, Flintshire, Wales

I am into my second week as Writer-in-Residence here at Gladstone’s Library in Hawarden, Wales. Continue reading

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The Splendid Bookshop

“The book shop is just here.” The clerk at the Grande Hotel do Porto penciled ‘LELLO’ on the city map in front of me. Continue reading

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A Personal Reflection on Fatima

The old basilica at Fatima.

The old basilica at Fatima.

I never intended to visit Fatima when I planned my recent trip to Portugal, mostly because I had no notion of where Fatima was. Continue reading

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The Historical Blog Slog

Whenever I put together a history-related blog post, it’s not something I’m writing off the top of my head even if the material springs from research I’ve been doing for the past nine years. I need to double-check everything to make sure that I have my facts straight. Sometimes I’m writing about something that is only tangential to the novel I’m working on, so I have to research it in as much depth for the blog post as I would if I were going to include it in my book. It usually takes several days, so I do not commit to such a blog post lightly. I am absolutely certain that I am not alone in this. If you’ve read history-related posts on any of the historical sites on the internet, you are probably seeing the results of a great deal of hard work. The website English Historical Fiction Authors a website to which many wonderful historical novelists contribute, is an excellent example.

Sometimes, as in the piece I posted on this site last December about Anglo-Saxon Art, the research material is right on my bookshelf.

A selection of my research books.

A selection of my research books.

Other times I have to go further afield for information. The essay titled Mapping England that appeared on the EHFA website in January, for example, demanded a couple of trips to UC Berkeley to pore over their map collection using books I couldn’t possibly afford to have on my shelf.

The bucolic UC Berkeley campus.

The bucolic UC Berkeley campus.

Once I’ve gathered all the necessary information it has to be distilled and combined into a thoughtful (I hope) essay that is not so terribly long that readers will give up half-way through. I try to keep my posts under 1000 words, preferably closer to 600. (This one is almost 400 words.)

And that brings me to a 4-part series of historical posts that I’ve written for the EHFA website that will appear there on Sept. 7, 8, 9, & 10. The series is about medieval Britain’s 4 royal roads. If I’d combined their fascinating histories into a single blog post it would have been so long that a reader’s eyes would cross. Therefore, at my request, author and web-mistress Debra Brown has given me permission to spread my posts over those 4 days. So, starting this Sunday and continuing through Wednesday, I will be, essentially, hijacking the EHFA website. I will post a link on this page, and I hope that you will come along for the 4-day ride.

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